Before - when I used to read things other people wrote that had nothing to do with what might become a resource for my students or a direction for my art - I used to read William Faulkner.
Before - when I used to read things other people wrote that had nothing to do with what might become a resource for my students or a direction for my art - I used to read William Faulkner.

Down the nursing-home hallway was an old friend of Mammam’s – but they knew nothing of each other anymore. Anna Johns was a bit more alert than Mammam at this point and, just as Mammam did earlier, she could converse in a chit-chat manner that didn’t always immediately make clear her mental limitations. I visited The Manor with my father and we paused in front of Anna. My father said in that tone reserved for children and geriatrics, “Hia Anna! How are you?” “I’m good. Who are you?” she said immediately. “I’m Rose Topolski’s son, Walter.” No response. My father asked, “Do you know what your name is?” She promptly reached down, took the light blue slipper from her left foot and read the label inside, “Anna Johns.” she said confidently.
At first we would bring Mammam home from the nursing home for Sunday afternoon visits but as she began to resist return, those visits became less frequent and eventually stopped. Visiting Mammam, surrounded as she was, with people in similar mental states, was always funny, exhausting and heartbreaking. I remember wanting to go and then, upon arriving, I would immediately want to leave. The halls smelled of living decay, excrement, cafeteria food and disinfectant.
Memory and communication are similar in that we long to have both in some pure sense. With both, our best gauges are far too susceptible to contamination to make them reliable.
“What’s in them?” My father pointed to two white unmarked pie boxes on the counter.
I laughed and said loudly, “No Mom – he said that that dish isn’t clean.”